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 Close up, Off the GroundLand Back Series 2019-2021 MESH Portland Art Museum Photograph by Mario Gallucci, 2022 |  Close up, Off the GroundLand Back Series 2019-2021 MESH Portland Art Museum Photograph by Mario Gallucci, 2022 |  Off the GroundLand Back Series 60" x 48," 2021 Sale Pending MESH Portland Art Museum Photograph by Mario Gallucci, 2022 |
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 Missing Her: No Man CampsLand Back Series 60 x 48 in, 2019 MESH Portland Art Museum Photograph by Mario Gallucci, 2022 |  Close up, Missing HerLand Back Series 60 x 48 in, 2019 MESH Portland Art Museum Photograph by Mario Gallucci, 2022 |  Wall Text, ArtistMESH Portland Art Museum Photograph by Mario Gallucci, 2022 |
 MMIPLand Back Series 12 x 36 in, 2021 MESH Portland Art Museum Photograph by Mario Gallucci, 2022 |  Close up, MMIPLand Back Series 2019-2021 MESH Portland Art Museum Photograph by Mario Gallucci, 2022 |  Ghost DancerLand Back Series 12" x 36," 2021 MESH Portland Art Museum Photograph by Mario Gallucci, 2022 |
 Close up, Ghost DancerLand Back Series 12" x 36," 2021 MESH Portland Art Museum Photograph by Mario Gallucci, 2022 |  SKODENVaried Dimensions Oil and graphite on cedar wood canoe panel flats, 2019 Sold Jeffrey Gibson Collection, 2022 |  SKODENLand Back Series Varied Dimensions Oils on cedar panel flats Sold Jeffrey Gibson Photograph by Mario Gallucci, 2022 |
 SKODENLand Back Series Varied Dimensions Oils and graphite on cedar panel flats, 2019 Sold, Jeffrey Gibson Collection Photograph by Mario Gallucci, 2022 |  Extraction, 2021Land Back Series 20 x 36 in, 2021 MESH Portland Art Museum Photograph by Mario Gallucci, 2022 |  Close up, ExtractionLand Back Series 2019-2021 MESH Portland Art Museum Photograph by Mario Gallucci, 2022 |
 Torture State, 2020Land Back Series 60 x 48 in, 2020 MESH Portland Art Museum Photograph by Mario Gallucci, 2022 |  Close up, Torture StateLand Back Series 2019-2021 MESH Portland Art Museum Photograph by Mario Gallucci, 2022 |  Close up, Torture StateLand Back Series 2019-2021 MESH Portland Art Museum Photograph by Mario Gallucci, 2022 |
 In UteroLand Back Series 20" x 36," 2020 MESH Portland Art Museum Photograph by Mario Gallucci, 2022 |  Ferrell-Smith-MESH-DSC_5124-web |  Land Back stencils + wild pigmentsLand Back Series MESH Portland Art Museum Photograph by Mario Gallucci, 2022 |
 Land Back StencilsLand Back Series 2019-2021 MESH Portland Art Museum Photograph by Mario Gallucci, 2022 |  Land Back StencilsLand Back Series 2019-2021 MESH Portland Art Museum Photograph by Mario Gallucci, 2022 |  Wild pigmentsLand Back Series 2019-2021 MESH Portland Art Museum Photograph by Mario Gallucci, 2022 |
 Wall Text, quoteLand Back Series MESH Portland Art Museum Photograph by Mario Gallucci, 2022 |  Ferrell-Smith-MESH-DSC_5125-web |  Ferrell-Smith-MESH-DSC_5126-web |
 Land Back SeriesLand Back Series 2019-2021 MESH Portland Art Museum Photograph by Mario Gallucci, 2022 |  Land Back SeriesLand Back Series 2019-2021 MESH Portland Art Museum Photograph by Mario Gallucci, 2022 |  Land Back SeriesLand Back Series 2019-2021 MESH Portland Art Museum Photograph by Mario Gallucci, 2022 |
 Ferrell-Smith-MESH-DSC_5131-web |  MESHLand Back Series 2019-2021 MESH Portland Art Museum Photograph by Mario Gallucci, 2022 |  Land Back SeriesLand Back Series 2019-2021 MESH Portland Art Museum Photograph by Mario Gallucci, 2022 |
 MESHPortland Art Museum On view through May 8, 2022 |  MESHPortland Art Museum On view through May 8, 2022 |  DITCH PROJECTS 2021GHOST RIDER: PERFORMING FUGITIVE INDIGENEITY Photograph by Mike Bray, 2021 |
 KAI, 2019GHOST RIDER Ditch Projects August 2021 Photo by Mike Bray, 2021 |  GHOST RIDERDitch Projects August 2021 Photo by Mike Bray, 2021 |  Modoc Point StudioSam Gehrke Photography, 2021 |
 GHOST RIDERDitch Projects August 2021 Photo by Mike Bray, 2021 |  Star Dust, Land Back SeriesAcrylics, Painted Hills wild red, Klamath charcoal, aerosols, graphite, oil bars on wood panel. 30" x 24," 2020 'Ghost Rider: Performing Fugitive Indigeneity," #LandBack Series of 55. Ditch Projects, 2021. Photograph by Mike Bray, 2020. |  Missing Her: No Man Camps, Land Back SeriesAcrylics, Painted Hills wild red, Klamath charcoal, aerosols, graphite, oil bars on wood panel. 60" x 48," 2020 'Ghost Rider: Performing Fugitive Indigeneity," #LandBack Series of 55. Ditch Projects, 2021. Photograph by Mike Bray, 2020. |
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